UPDATE 12:04 P.M. EST: Miley has since posted several pictures from her stunning Vanity Fair cover shoot on Instagram. Ch-ch-check ’em out (below)!
Miley Cyrus is still marching to the beat of her own queer heart, despite recent developments in her heterosexual relationship.
The Wrecking Ball singer sounded off on her next era in a new cover interview with Vanity Fair, explaining how major life developments — like losing her home in the Malibu fires and marrying her sweetheart Liam Hemsworth — changed her… and didn’t change her, at the same time.
Admitting that the destruction of their home changed the couple much more than tying the knot did, the pop star told the mag that she feels “zero percent different” since walking down the aisle last year.
Video: Liam Pranks Miley AGAIN!
Take her sexuality, for example: even though she’s in a traditional heterosexual marriage, Miley still very much identifies as a queer person. She explains:
“The reason that people get married sometimes can be old-fashioned, but I think the reason we got married isn’t old-fashioned—I actually think it’s kind of New Age. We’re redefining, to be fucking frank, what it looks like for someone that’s a queer person like myself to be in a hetero relationship. A big part of my pride and my identity is being a queer person. What I preach is: People fall in love with people, not gender, not looks, not whatever. What I’m in love with exists on almost a spiritual level. It has nothing to do with sexuality. Relationships and partnerships in a new generation—I don’t think they have so much to do with sexuality or gender. Sex is actually a small part, and gender is a very small, almost irrelevant part of relationships.”
Whatever you say, gurl. As long as you’re appreciating that Hemsworth d!
An important part of Miley and Liam’s relationship, she says, is all the drama they’ve been through together — most recently, losing their home in the Woolsey fires.
Related: Miley Attends Liam’s Movie Premiere Sans Liam!
Musing that the catastrophe is what made them ready to take the big step into marriage, the 26-year-old explained:
“[A] lot of people use marriage I think maybe for a cure. But like my favorite woman in the world, Hillary Clinton, says: We’re stronger together. That’ll make me get emotional. That’s what she meant by it. Like, who gives a f*ck if he’s a guy, if I’m a girl, or if he was a woman—who gives a f*ck? We really are stronger together. One is the loneliest number.”
Especially if that one is a continuously-evolving, screw-your-labels, can’t-be-tamed mega star.
Related: Miley Attends Liam’s Movie Premiere Sans Liam!
Speaking about her new music, which she teased would be coming by summer, Miley described her upcoming album just how she describes herself: indescribable. She noted:
“There’s psychedelic elements, there’s pop elements, there’s more hip-hop-leaning records. You know, in the same way I like to kind of just be genderless, I like feeling genre-less. [The album will be] just kind of a mosaic of all the things that I’ve been before.”
Miley can’t exactly explain what she’s been before and what she is now. But she tried, by sharing with VF an essay about how she sees herself.
Ch-ch-check it out — along with the songstress’s stunning cover shoot — below!
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On who “Miley” is in 2019:
“I try to be true to myself in every state of being. When I can, I will stand still, work through, sit in, observe, and get to know exactly ‘who that is’ privately. My creative process comes from feeling inspired by life experiences, not pressured by industry standards. I will never put my own plan before nature’s, or jeopardize personal growth for professional advantage. That said, if it’s a time in my life like now where I am publicly sharing my stories, my music, my art, “who I am” unfolds in front of everyone and we go through all of this together. When people hear my music they hear a fragment of time, something I feel or felt right then. By the time it gets to your ears I may have grown past it, but I am truest to who I am at that very second. That can be five thousand different colors and shades at the same time. I’m a creative vessel that thrives on change and evolution, I love to feel, and to feel extremes. Of course there’s a little bit of a never-satisfied artist that lives inside me that becomes bored easily, so I move through life quickly. But I have a home base and center I can come back to, a calm and a peace. I can’t be in it for too long but it’s a place to catch my breath. That’s the foundation I have had since the beginning.”
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On marrying Liam:
“Being someone who takes such pride in individuality and freedom, and being a proud member of the LGBTQ+ community, I’ve been inspired by redefining again what a relationship in this generation looks like. Sexuality and gender identity are completely separate from partnership. I wore a dress on my wedding day because I felt like it, I straightened my hair because I felt like it, but that doesn’t make me become some instantly ‘polite hetero lady.’ (PS: Straight women are badass, too.) My relationship is very special to me, it is my home. I feel less misplaced when we are in the same room, no matter where that is, but just because something changes in my relationship doesn’t mean something has to drastically change in my individuality. What Liam and I went through together changed us. I’m not sure without losing Malibu, we would’ve been ready to take this step or ever even gotten married, who can say? But the timing felt right and I go with my heart. No one is promised the next day, or the next, so I try to be ‘in the now’ as much as possible. If I ever find myself thinking too far ahead, I acknowledge that anxiety and bring myself back into my body and out of my head. Something that helps me, when life is moving so fast that it’s hard to keep up with, is writing. Not just songs, but streams of consciousness. I let myself babble, and in all that junk sometimes there is treasure! Pretty much what I’m doing now. All the things we have ever learned or experienced are just stored away in the back of our mind. It’s important to daydream, to let the thoughts and memories travel in and out, and learn to recognize them. Not only their truth, but their lies. When I write out these thoughts, it’s nice to have a point of reference to see why I acted on certain choices or went down certain paths. It’s all just a way to handle, manage, and process experience. The way I feel can be so drastic moment to moment, perspective is everything. Time and place. Here and now. In a second everything can change. It can be scary when you’re not the one in the driver seat—inevitably sometimes we lose control. The key for me staying healthy and happy is by being the pilot and not a backseat driver. Thinking for myself. Sometimes that gets chalked up to an ‘I don’t give a f*ck’ attitude, but that isn’t my narrative. I do give a fuck. A lot of them, actually. Sometimes too many. I’m free and fluid with my speech, so by being this honest, I contradict myself sometimes, but like I said in that moment, that is my fullest truth. I live in acceptance of others and hope everyone gets to feel the freedom that I live in! People like myself have a hard time comprehending a middle ground, I thrive on extremes, but I am learning to live in that sometimes uncomfortable and itchy in-between. I want to live a long life full of love, music, and adventure. I believe balance will get me there. Balance and moderation. Which sometimes is like a foreign language to me. But I am practicing. In that practice will come mistakes but it’ll shape me and I can’t wait to see who it makes me into. Like Bowie said, I promise it won’t be boring. How could it be? Life is like binge-watching a favorite show. What comes next? Can’t sleep until we find out . . .”
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On the Malibu fires:
“Losing my home, losing that peace, was very unsettling. I didn’t go back. I felt like my roots got ripped from under me. I was working on Black Mirror in South Africa. The day I heard we lost our home, my scene was set at my house in Malibu. My character was having a panic attack, so needless to say the inspiration was there. Anne Sewitzky, the director, and I became very close, since going through all of this so far from home, she was really the only mother figure I had. Experiencing that together and in the realness of it all, we created something I think is magical. It’s hard for me to be proud of my work, I rarely walk away satisfied but I’m very proud of what we made. It really tells my story in some dark and funny way, as that show does, and as life is. To lose “everything” at that time—materially, because no lives of people I know and love were lost—Liam and I have also found a new bond underneath all that rubble. Going through a natural disaster, the grief you experience is really unlike any other loss. No more, just different. In our position it feels or looks like everything is replaceable and you can start again, but you can’t buy spirit. Our place wasn’t filled with expensive, meaningless shit, but art—a lot of which I made on my own, and by others, including personal letters and drawings from Heath Ledger, John Kricfalusi, Joan Jett, Murakami, David LaChapelle, Ryan McGinley, and so many others whom I respect.”
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[Image via FayesVision/WENN]
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